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But by the same token, it can also feel sublime when the spatial options are manipulated by a deft and experienced hand. ItвЂ™s an unprecedented degree of control for producers, and much like the 3D effect in movies, it can feel jarring or even cheesy if itвЂ™s executed in a ham-fisted way. For example, when listening to Atmos Music on an Atmos-compatible sound system, you might hear the violins from the front of the room as a symphony begins, but as the music continues over time, those instruments could be gradually shifted in space to feel as though they are coming from all around you, while all of the other instruments stay put. One of the defining characteristics of both Dolby Atmos for movies and Dolby Atmos Music is that an object (or in the case of music, an instrument or vocal track) can be manipulated in 3D space by the producer independently from other sounds. But Atmos Music isnвЂ™t a conversion of stereo into multichannel surround - itвЂ™s a from-scratch-made recording that uses these extra channels in a whole new way.

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After all, every home theater receiver can take a stereo source like vinyl, CD, or streaming media and run it through circuits and software that optimize it for a surround system, like a 7.1 speaker setup. It would be easy to dismiss Dolby Atmos Music as simply a way to play normal tracks over a surround sound setup.

But that same recording technique can be used with music for a similar result: Total sonic immersion.

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That sounds like the kind of thing youвЂ™d get in a commercial movie theater, and it is - Dolby Atmos is used for creating highly immersive soundtracks for movies, with sound that feels like itвЂ™s coming from in front of you, behind you, both sides, and above. Dolby Atmos Music, on the other hand, is a native surround sound technology, with support for up to 128 channels and up to 34 separate speakers in a home theater, including speakers that can direct sound down toward the listener from the ceiling. However, no matter how many channels they start with, if theyвЂ™re creating a stereo recording, these multiple channels must be combined eventually into just two channels: A left and a right, which corresponds to the two speakers in a stereo environment. Modern-day music producers have access to some very sophisticated digital recording equipment that lets them mix music from dozens of separate channels (also called tracks). Keep the channels open LightFieldStudios/Getty Images Why your next soundbar should have Dolby Atmos.

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How to know if youвЂ™re actually getting Dolby Atmos sound.Dolby Atmos: The future of immersive sound.Dolby Atmos Music puts that same technology into the hands of musicians and producers, letting them craft songs that possess a greater sense of space and depth than the traditional stereo recordings weвЂ™re used to. If youвЂ™ve been to see a blockbuster action movie in the theaters, youвЂ™ve probably already heard what Dolby Atmos can do for movies, with its immersive, three-dimensional sound field. Are there any competitors to Dolby Atmos Music?Д«ut what exactly is Dolby Atmos Music? How is it different than stereo? And what kind of gear do you need to listen to it at home and on the go? WeвЂ™ve got everything you need to know to get on the Dolby Atmos Music train.Are there any other ways to experience Dolby Atmos Music?.What kind of music is available in Dolby Atmos Music?.

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